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Beaches, swimming pools, saunas are not considered public places. Also, the issue around permission is not as simple as a yay or nay. We don't want our story told and we don't want to tell it. While some of them are stunning, they raise questions for me about consent and representation. What was the motive and purpose of these pictures? I am more inclined to feel that they eroticise and dehumanise the Dinka by presenting them as objects rather than subjects, in the portrayal as well as the fact that it is other people who stand to gain from the commodification of their lives and identity. I asked my colleagues at Africa on the Blog what they thought.

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I agree with Christopher here.

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Nude photographs of the Dinka: art or exploitation?

Why do we still attach some mystery, strangeness, and other-worldliness to people who are not white and who don't live according to our modernised lifestyles? If we had an example of what we would consider a tasteful photo-shoot with the same or similar subjects done by an African photographer then we could compare and decide what is "othering" and what isn't. And no, I am not happy that the story of the Dinka and other African natives are told with them mute. Chris Ejugbo To me, these photos are beautiful works of art. The context is what matters. Personally I am not offended by these photos and quite frankly I am more comfortable with nudity than with violence. Would they give permission if they knew what would become of their photos?

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